From Captor to Captive
A Brief History of Rome in Paint
Founding, republic, empire, Christianity and defeat; these five words outline the entire history of the Roman Empire. They encapsulate the story of Rome’s ascension to greatness and eventual plummet into the depths of defeat. The entire world recognized and feared the Roman Empire. With approximately one million occupants, the largest standing military, and an empire of over five million square kilometers, Rome deserved this attention.While Rome is no longer at its high point, this greatness lives on in the pieces of Roman society and culture that modern nations have adopted. Take a walk through the American capital of Washington D.C. and you will see distinct traces of Roman government and architecture. You will be struck by the debt that we owe to this bygone empire as you recognize the many pieces of Roman culture that are present in our own. As we look back on this impactful empire with a bird’s eye view, five distinct periods within Roman history appear. These five periods can be summed up in five simple words; founding, republic, empire, Christianity and defeat. Historians, poets and artists support this delineation of Roman history and the pieces of art contained in this exhibit illustrate this.
The Founding of Rome
The Abduction of the Sabine
Women by Nicolas Poussin. 1633-34.Oil on Canvas. (46.160).
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Within the chaos depicted in this painting, feelings of terror,
determination and helplessness are evident. Terror is seen on the faces of the
female captives as determination outlines the movements of their Roman captors.
This painting depicts the abduction of the Sabine women, an event which occurred
during the founding period of Roman history. Because Rome was founded solely by
men, its doom seemed inevitable after the neighboring cities refused to let
them marry their daughters. The Romans however decide to take wives by force
from the neighboring Sabines and they do so successfully, helping to insure the
longevity of Rome.
The Roman Republic
Cicero Denounces Catiline by Cesare
Maccari. 1889. Fresco. (Palazzo Madama, Rome).
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The Roman Empire
Vercingetorix throws down his arms at
the feet of Julius Caesar by Lionel Royer. 1899. Oil
on Canvas. (Crozatier Museum, Le Puy-en-Velay).
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The Christian Roman Empire
First Ecumenical Council of Nicaea by
Vasily Surikov. 1876. Oil on Canvas. (Russian Museum, St. Petersburg Russia).
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The Defeat of Rome
Sack of Rome by Karl Briullov.
1833-1836. Oil
on Canvas.
(State Tretyakov Gallery, Moscow Russia).
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The sack of Rome in 455 AD by the Vandals under King
Genseric revealed the weakening power of Rome which would eventually lead to
their complete defeat in 476 AD. This scene, depicting the King Genseric riding
into Rome, mirrors the chaos seen in Nicolas
Poussin’s, The Abduction of the Sabine
Women which depicted the founding of Rome. Briullov also paints many of the
figures in the same stances and with the same expressions as figures in
Poussin’s painting. However, the Romans role in the painting has been reversed;
instead of being conquers establishing a new city, they are now the conquered
and the Roman Empire has ended.
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