Saturday, April 26, 2014

Art of X-Rays

The Art of X-Rays
            This exhibition focuses on x-ray photography.  The images in this exhibition depict the unseen in everyday items or creatures.  This field of photography started with the invention of the x-ray by Wilhelm Rontgen in the mid 1800’s.  Josef Eder was the primary pioneer in this field of using x-rays as an art form.  The field continued to develop as the x-ray advanced and could produce more detailed photos.  The newer x-rays not only have a more detailed quality, but also produce a different style of x-rays, providing more of a light blue, transparent look to the images.  Also, the main interest in older photos was to show anatomical intricacy of common creatures.  The newer works, on the other hand, only focus a little on anatomical structure, but mainly are intended to display the internal assembly of familiar objects.  The main purpose of both modern and older x-ray photographs is to display the unseen aspects of everyday things.  They are intended to display that which is typically is unnoticed or hidden.  This presentation includes examples of older x-rays including some of Eder’s works and examples of more modern photography. 

                                  Hugh Turvey, Male and Female Thornback Rays, 2012
            The first image in this display is Hugh Turvey’s “Male and Female Thornback Rays” depicting two rays.  This image was produced in 2012 and is in Hugh Turvey’s collection.  This image is a modern example of an x-ray photo depicting a creature’s anatomical structure.  In this image, Turvey is intending to display the internal structure of the rays using the x-ray to give the image a transparent look.

              Josef Eder, Versuche über Photographie mittelst der Röntgen'schen Strahlen, 1896
X-Ray Photogravure, Met Museum of Art, ascension number 2011.66.1–.15
            Following this image in the exhibit is another work of Eder’s titled. “Versuche über Photographie mittelst der Röntgen'schen Strahlen."  It was produced in 1896 and is currently in the Met Museum of Art.  It is .  This image fits into the exhibit as it displays fish anatomy.  It is displaying a familiar object in a different way than it is typically viewed.  

Hugh Turvey, Neodymium-Europium-Turbium, 2012

             So far, all of the images have been of creatures.  This is the first image of an inanimate object.  Hugh Turvey’s “Neodymium-Europium-Terbium” was produced in 2012 and is located in his own collection. This image depicts an inanimate object, but still fits into the theme of displaying the unseen.  It displays what lays unnoticed under the surface of the device.

                                                    Hugh Turvey, GoCycle YDH, 2012
            Another depiction of an object is Hugh Turvey’s “GoCycle YDH,” which is a display of the internal assembly of several bicycles.  This image was produced in 2012 and is currently in Hugh Turvey’s collection.  Similarly to the previous image, it fits into the theme of displaying hidden aspects of everyday items.  In this case it is showing the inner workings of bicycles.  Usually we do not realize that these common items have complex internal structures which allow them to work.

                                               Hugh Turvey, Woman Drinking Water, 2012
            Next is Hugh Turvey’s image, “Woman Drinking Water.”  This image was made in 2012 and is in the same collection as his others.  This image shows a newer form of anatomical structure.  This time, there is implied motion.  The action of drinking water is being portrayed in a new way.  This is just a deeper example of a common circumstance and showing what lies beneath the surface.

                                                Hugh Turvey, Combat Medic Portrait, 2012
            The final image is another of Hugh Turvey’s.  This goes back to the inanimate objects, but this time there are many of them.  The piece is titled “Combat Medic Portrait” and depicts several pieces of medical equipment that might be brought in a battlefield situation.  Although they are not as common, the purpose of the image is to show what lies beneath the outer surface of the items.  Rather than viewing the external details, artists like Eder and Turvey want to show their viewers the details below the external features which everyone can observe.

=Marc Renkema=

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